NEWS

BETH GIBBONS SHARES COLLABORATION WITH POLISH NATIONAL RADIO SYMPHONY ORCHESTRA, CONDUCTED BY KRZYSZTOF PENDERECKI

Beth Gibbons | 01/30/19

Image: launch photo

Domino is extremely proud to present Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki. Both an audio and film recording of the performance will be available on 29th March 2019.

The performance took place at The National Opera Grand Theatre in Warsaw on November 29th 2014, and was part of an evening of programming that also featured Jonny Greenwood's (Radiohead) 48 Responses To Polymorphia and the world premiere of Bryce Dessner's (The National) Réponse Lutosławski.

Following an invitation to collaborate at the concert, Beth Gibbons undertook an intense preparation process, including tackling the challenge of learning the original text (and the emotional weight it carries) without speaking the mother language. Typical to Beth though - the elusive yet iconic frontwoman of one of the most important British bands of the last two decades - the challenge was met and exceeded. Her performance alongside the maestro Penderecki has been hailed as triumphant, as you can see and hear on this release.

The film, was produced by the National Audiovisual Institute, Poland and directed by Michał Merczyński.

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Beth Gibbons is the vocalist, songwriter, producer and co-founder (together with Geoff Barrow and Adrian Utley) of the band Portishead and a solo artist in her own right. The album marks the first music from Beth Gibbons since 2008.

Henryk Górecki (1933 – 2010) was a Polish composer of contemporary classical music, believed to be the most commercially successful classical composer in recent times, with previous versions of his Third Symphony, Symphony of Sorrowful Songs, having sold over a million copies.

Krzysztof Penderecki has been hailed as Poland’s greatest living composer, and conductor.  His music was introduced to a wider audience through its use soundtracking movies such as The Shining and The Exorcist.

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Tracklisting:

I. Lento — Sostenuto tranquillo ma cantabile

II. Lento e largo — Tranquillissimo

III. Lento — Cantabile-semplice

 

Pre-order:

Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) Performed by Beth Gibbons and the Polish National Radio Symphony Orchestra Conducted by Krzysztof Penderecki will be available on deluxe and standard LP + CD plus a DVD, also digitally.

 

Deluxe LP + DVD | CD + DVD | Download

Beth Gibbons online:

Website | Facebook | Twitter | Instagram

 

AVEY TARE ANNOUNCES NEW ALBUM COWS ON HOURGLASS POND; WATCH "SATURDAYS (AGAIN)" VIDEO; ON TOUR THIS SPRING

Avey Tare | 01/29/19

Image: Avey Tare - Cows On Hourglass Pond cover

Avey Tare, a.k.a Dave Portner of Animal Collective, has announced the new album Cows On Hourglass Pond, for release on March 22, 2019. 

Cows On Hourglass Pond was recorded between January - March 2018 by Dave Portner at Laughing Gas in Asheville, NC on a Tascam 48 half-inch reel-to-reel tape machine. The album was mixed by Adam McDaniel and Dave Portner at drop of sun in Asheville, NC. The first song to be released from the forthcoming album is “Saturdays (Again)”. A video, directed by Abby Portner, can be viewed below.

Says Abby Portner, on the video:"For the Saturdays (Again) video I wanted to try and create what it would look like inside Avey Tare's new record cover, if you were to step inside and hang out with Dave and the cows in a surreal, colorful landscape. Since I did parts of the record art and paintings in the press photos, I wanted it to all be included inside this video." 

Cows On Hourglass Pond follows the 2017 release of Avey Tare’s Eucalyptus, and 2018’s audiovisual album Tangerine Reef, a collaboration between Animal Collective and avant-garde coral macro-videographers Coral Morphologic. 

Cows on Hourglass Pond is available to pre-order now from the Domino store on CD and Deluxe LP + 10”. The latter format consists of a single LP pressing of the album available on 180 gram heavyweight vinyl and a limited edition 10” featuring two bonus songs “Tipped in Hugs” b/w “Dog Says Goodbye.”

Avey Tare tour dates:
03-21 Knoxville, TX - Big Ears Festival
03-28 Asheville, NC - The Mothlight
03-29 Baltimore, MD - Ottobar
03-30 Philadelphia, PA - PhilaMOCA
04-01 Brooklyn, NY - Market Hotel
04-02 Burlington, VT - ArtsRiot
04-04 Toronto, ON - Horseshoe Tavern
04-05 Detroit, MI - Deluxx Fluxx
04-06 Chicago, IL - Co Prosperity Sphere
04-07 St. Paul, MN - Amsterdam Bar & Grill
04-11 Seattle, WA - Neumos
04-12 Portland, OR - Holocene
04-13 Arcata, CA - The Miniplex in Richard’s Goat Tavern & Tearoom
04-15 San Francisco, CA - The Chapel
04-16 Los Angeles, CA - The Echo
04-17 Tucson, AZ - 191 Toole
04-19 Dallas, TX - Club Dada
04-20 Austin, TX - Antone’s Nightclub
04-22 New Orleans, LA – Gasa Gasa
04-23 Tallahassee, FL – The Wilbury
04-24 Orlando, FL – Will’s Pub
04-25 Tampa, FL – The Crowbar

 

THE CINEMATIC ORCHESTRA ANNOUNCE NEW ALBUM 'TO BELIEVE'

The Cinematic Orchestra | 01/17/19

Image: TCO_2019

The Cinematic Orchestra, the British electronic duo founded by Jason Swinscoe and co-helmed by Dominic Smith, will return with their first album in 12 years ‘To Believe,’ out March 15 on Domino/Ninja Tune. Pre-order album.

Over the course of the album’s 7 sweeping tracks, Swinscoe and his longtime artistic partner Smith explore a timeless question of vital importance in 2019 - what to believe? 

To accompany the announcement, The Cinematic Orchestra have released a new song "A Caged Bird/Imitations of Life" featuring Roots Manuva. The track, which was revealed via a website only accessible on offline devices - a paradox illuminating the album’s central theme - was available initially last week on 12" in independent record stores and sold out in a matter of hours. Listen to “A Caged Bird/Imitations of Life” featuring Roots Manuva here: https://tco.lnk.to/tobelieve

‘To Believe’ features contributions from collaborators old and new: vocalists Moses Sumney, Heidi Vogel, Grey Reverend (featured on Bonobo’s 'First Fires’), Dorian Concept and Tawiah (Mark Ronson, Kindness), with Miguel Atwood-Ferguson (Flying Lotus, Anderson Paak, Thundercat, Hiatus Kaiyote) on strings. The record was mixed by GRAMMY-winner Tom Elmhirst (David Bowie, Frank Ocean, Adele) at Electric Lady studios in New York City.

17 years into Swinscoe and Smith’s partnership, their approach has lost none of its urgency or searing insight, and “A Caged Bird/Imitations of Life” is proof of that. Roots Manuva laments how our “situation is strange to us, stranger things are claiming us” over a pounding, hypnotic rhythm section that concedes to the choruses’ soaring strings.

In 2019 it is easy to see The Cinematic Orchestra’s influence - their critically-acclaimed 1999 debut album ‘Motion’ helped pave the way for today’s modern jazz landscape, and encouraged a new generation of musicians to break rules. ‘To Believe’ doesn’t shy away from this ethos - its articulation of the band’s unique sonic language, encompassing not only jazz but the sort of transcendental orchestration combined with the elegant electronics of artists like Ólafur Arnalds and Floating Points (artists they have helped forge a path for) - has never been more cohesive and compelling.

Since ‘Motion,’ The Cinematic Orchestra have sold hundreds of thousands of albums, generated almost half a billion streams and enjoyed critical support from the likes of Pitchfork, The Guardian, The New York Times, Fader, Rolling Stone and more. Their opus “To Build A Home” has been synced to dozens of films and TV shows including Orange Is The New Black and This Is Us, as well as brands like Burberry, Armani, Nike and Apple.

The Cinematic Orchestra have sold out storied venues around the world, including London's Royal Albert Hall and the Sydney Opera House. They’ve performed across the festival circuit, including appearances at Coachella and Glastonbury. The Cinematic Orchestra will tour extensively in support of ‘To Believe,’ including a three-night residency at London’s iconic Roundhouse in March. US dates will be announced soon.

 

FAT WHITE FAMILY RETURN WITH THEIR THIRD ALBUM ‘SERFS UP!’ AND SHARE FIRST TRACK, ‘FEET’

Fat White Family | 01/09/19

Image: FWF Serfs Up launch shot

Serfs Up! is Fat White Family’s third album and their first for new label Domino. Released on Friday 19th April 2019 it marks the most gratifying and unexpected creative volte face in recent musical history.

The band have today shared the first track to be taken from the album, Feet, a triumphant return which perfectly heralds the overwhelming musical scope and ambition of the album.  

Having released their second album, Songs For Our Mothers in January 2016, core-members Lias and Nathan Saoudi relocated to Sheffield and set about writing the album. Joined by co-conspirator Saul Adamczewski and recorded at their own Champzone studios in the Attercliffe area of the city, Serfs Up! was finished in late autumn 2018 with the help of long-time collaborator, Liam D. May and features a guest appearance from Baxter Dury on Tastes Good With The Money.

The track listing of the 10-track album is as follows:

1.   Feet

2.   I Believe In Something Better

3.   Vagina Dentata

4.   Kim’s Sunsets

5.   Fringe Runner

6.   Oh Sebastian

7.   Tastes Good With The Money

8.   Rock Fishes

9.   When I Leave

10. Bobby’s Boyfriend



Serfs Up! is a lush and masterful work, lascivious and personal. Tropical, sympathetic and monumental. It invites the listener in rather than repel them through wilful abrasion. Fat White Family have broken previous default patterns of behaviour, and as such their third album heralds a new day dawning.

Gregorian chants, jackboot glam beats, string flourishes, sophisticated and lush cocktail exotica, electro funk and the twin spirits of Alan Vega and Afrika Bambaataa punctuate the record at various junctures, while the dramatic production of Feet is as immaculately-rendered as ‘Hounds of Love’-era Kate Bush. The dirt is still there of course, but scrape it away and you’ll find a purring engine, gleaming chrome.

Echoing within the arrangements throughout are traces of blissed-out 60s Tropicalia, Velvets/Bowie sleaze-making and star-gazing, 80s digital dancehall, David Axelrod-style easy listening, joyous Pet Shop Boys synth crescendos, acid house, post-PIL dub, metropolitan murder ballads, doom-disco and mouth-gurning, slow-mo psychedelia so by the time it comes to a close only a fool would deny that Serfs Up! is something very special. No longer is unadulterated music malevolence Fat White Family’s stock in trade; this is cultivated music for the head, the heart. For tomorrow’s unborn children.

Where once they soundtracked a grubby Britain of vape shops, Fray Bentos dinners and blackened tin-foil, a crepuscular comedown realm stalked by Shipman, Goebbels and Mark E. Smith, Fat White Family now inhabit another cosmos entirely. Serfs Up! is the product of a band of outlaws reborn. Few but themselves could have forecast it: Fat White Family survived. Fat White Family got wise. Fat White Family got sophisticated.

Serfs Up! will be available on CD (WIGCD401), standard vinyl (WIGLP401), Dom Mart exclusive vinyl (12” heavyweight transparent red vinyl with fold out poster – WIGLP401XM) and via digital download (WIG401D).  You can pre-order Serfs Up! HERE.

 

SASAMI ANNOUNCES SELF-TITLED DEBUT ALBUM FOR MARCH

SASAMI | 01/08/19

Image: SASAMI album announcement pic

SASAMI announces debut album out March 8th via Domino

Watch the video for new single ‘Jealousy’

Announces North American live dates + upcoming UK/Europe tour


Los Angeles-based artist SASAMI has announced her self-titled debut album with the release of a video for its lead single, Jealousy.  

 

On the video, SASAMI says, The whole ‘Jealousy’ video was born out of inspiration from the scene “Bruce Vs Chocolate Cake” from the 1996 film adaptation of Roald Dahl’s ‘Matilda’. I wanted it to be kind of like a filmed version of a weird play. I am a witch creature and my sidekick, Gobby, and I dance in our painted backdrop lair and plot mischief. Luckily our havoc bears liberating ends as the bewitched are released of their socially-expected, self-imposed obsessions and rituals. I wanted to make something grotesque and creepy and funny, of course.”

 

Watch the ‘Jealousy’ video here.

Stream ‘Jealousy’ here.

 

If you've ever drafted an overly long text to someone and decided against sending it, then you'll probably hear something of yourself in SASAMI, out March 8th 2019."It's a mix of a diary and a collection of letters, written but never sent, to people I've been intimately involved with in one way or another," explains Los Angeles songwriter and multi-instrumentalist Sasami Ashworth, aka SASAMI, who wrote the album's ten tautly melodic rock tracks over the course of a year on tour, playing keys and guitar with Cherry Glazerr. "Ok, maybe they're more like over-dramatic drafts of texts that you compose in the Notes section of your iPhone, but either way, they come from a place of getting something off my chest." In an Instagram post announcing the release of ‘Callous’, a haunting ballad chronicling the disintegration of a relationship over wrenching guitar wails, she sums up the inspiration behind her engrossingly confessional debut more bluntly: "Everyone I fucked and who fucked me last year".

 

Originating as a string of demos she recorded straight to her iPad whilst on tour with Cherry Glazerr, the songs poured out of Ashworth in stream-of-consciousness fashion, tracking the thrills, disappointments, and non-starters of a year spent newly single and on the road. In many ways, though, they were the culmination of decades of hard work. After studying piano as a child, she picked up the French horn in middle school, and has been playing music pretty much every day since - first as a long-time conservatory kid with her sights on a career as a classical French horn player, and later as an elementary school music teacher, running around a classroom, making up songs and dances, and directing rag-tag orchestras full of glockenspiels and bongos. "If you can keep like 30 kids with tambourines entertained, [doing it for] a room full of drunk adults at a rock show is nothing”, she says.

 

Just like her notoriously irreverent stage banter, Ashworth notes that her relationship to music, and to playing instruments, "comes from a place of love and playfulness and joy" - and it's something you can hear at every moment of SASAMI. But if SASAMI tells a story, it's one about the surprising ways that one's relationships - with lovers, with friends, with oneself - can shift in a single year.

With only a 2-song 7" under her belt before today’s album announcement, SASAMI has already been hailed as "rock's next big thing" by The FADER and awarded Pitchfork's coveted Best New Track distinction.

 

SASAMI's debut self-titled album is available for pre-order now on limited pressing clear vinyl with an exclusive SASAMI transfer tattoo sheet, CD, and digital download.

 

Tracklisting

1. I Was A Window

2. Not The Time

3. Morning Comes

4. Free

5. Pacify

6. At Hollywood

7. Jealousy

8. Callous

9. Adult Contemporary

10. Turned Out I Was Everyone

 

Pre-order: Dom Mart | Digital

Additionally, SASAMI has announced a 2019 European tour that kicks off next month in Berlin, and a North American tour in the spring. All dates below.

 

Upcoming live dates

Feb 27th – Badehaus, Berlin Tickets

Feb 28th – Aalhaus, Hamburg Tickets

March 2nd – Bakken, Copenhagen Free entry

March 4th - Botanique Witloofbar, Brussels Tickets

March 5th – Paradiso (Upstairs), Amsterdam Tickets

March 6th – Pop-Up Du Label, Paris Tickets

March 8th – The Lexington, London Tickets

April 3rd – The Echo, Los Angeles

April 9th – Rickshaw Stop, San Francisco

April 11th – Doug Fir, Portland

April 12th – Barboza, Seattle

April 13th – Wise Hall, Vancouver

April 15th – Neurolux, Boise, ID

April 17th – Lost Lake, Denver

April 18th – Reverb, Omaha

April 19th – Vaudeville Mews, Des Moines, IA

April 20th – Amsterdam Bar and Hall, St Paul, MN

April 21st – Colectivo (Back Room), Milwaukee

April 23rd – Schubas, Chicago

April 25th – Baby G, Toronto

April 26th – Quai Des Brumes, Montreal

April 27th – Brighton Music Hall, Boston

April 29th – PhilaMOCA, Philadelphia

April 30th – Elsewhere, Brooklyn

May 3rd – DC9, Washington

May 4th – Club Café, Pittsburgh

May 5th – Rumba Café, Columbus

May 6th – The Basement, Nashville

May 8th – Three Links, Dallas

May 9th – Barracuda, Austin


 

REST IN PEACE, PETE SHELLEY

Buzzcocks | 12/07/18

Image: Buzzcocks reissue press image

We are shocked and saddened to learn of the passing of Pete Shelley. Pete was the great romantic of the punk era and one of its truly great songwriters. In 1978 it felt like Buzzcocks released a perfect single every two months and they were regularly beamed into the living rooms of our provincial homes via Top Of The Pops like a pop art post punk Beatles . We bought their singles for 49 pence from Woolworths on  the day they came out  and played them repeatedly, over and over again.. I even remember getting a copy of their Love Bites album for my thirteenth birthday present. Played it to death.

Now it’s 40 years on and  we’re all grown up and Domino is the proud guardian of the Buzzcocks  incredible  catalogue. We have been preparing a re issue campaign for next year which  Pete had just signed off on the art and packaging for. We are so sorry that Pete isn’t going to be around for their reissue. 

We send our love and respect to Pete and his nearest and dearest and we salute his eternal pop genius.

Laurence Bell

 

JOB OPPORTUNITY: PUBLICITY COORDINATOR

12/06/18

Image: Domino Neon for US Newsletter

Domino Recording Company is seeking a Publicity Coordinator based in our Brooklyn, NY office. This position reports to both the Head of Publicity & Communications in Los Angeles and the Publicist based in New York.  The position will be tasked with working across both their artist rosters, in addition to providing department support.    

We are seeking an individual who has great interpersonal skills, is a self-starter and has the ability to work in an open and creative group environment. The position requires strong organizational and communication skills, strong musical knowledge, a good handle on the existing music media and an awareness of the ever-changing music marketplace. Essential to the role is a desire to understand how music publicity plays a role in the larger record release ecosystem. 

The candidate must come with some (one to three years) experience working in music and/or publicity and must be familiar with the North American media landscape.  

Responsibilities include but are not limited to: 

  • Provide overall support to Head of Publicity & Communications and NYC Publicist
  • Maintain and expand on current PR databases with focus on strengthening tour markets, online & print lists and new media (e.g. podcasts) 
  • Research and analyze current and future media outlets; identify outlets that are best suitable for various projects/artists
  • Develop media analytics for publicity team
  • Strategically review guest lists
  • Publicity administrative tasks – producing quote sheets, press reports, and promo schedules and cataloging press photos
  • Publicity research tasks - e.g. researching photographers, stylists, new media 
  • Coordinating travel for promo-related activity 
  • Manage press clippings database
  • Additional administrative tasks as needed

Requirements:

  • One to three years in music-related publicity or related field
  • Bachelor’s Degree in a related field of study
  • Excellent written and verbal communication skills; personable and savvy 
  • Well-versed in media analytics
  • Must have the ability to pay close attention to detail
  • Excellent organizational skills
  • Proficiency in MS Office / Google Drive
  • Ability to multi-task
  • Knowledge of label and current artists
TO APPLY:
Please send a cover letter stating how you meet the requirements, along with your resumé to: monique@dominorecordco.com. Please include "Publicity Coordinator" in the subject line.
 

Domino Recording Co. was founded in the UK in 1993 by Laurence Bell, who is still the primary creative force of the company. Initially focused on releasing singles and albums by American artists in the UK (Pavement, Bonnie "Prince" Billy, Sebadoh), the label has expanded over the past decade to include offices in New York, Los Angeles, Berlin, Paris and Sydney and has had considerable worldwide success, both commercial and artistic, with acts as diverse as Arctic Monkeys, Franz Ferdinand, Animal Collective, Dirty Projectors, Real Estate, Cat Power, Julia Holter, The Kills, Blood Orange, and Jon Hopkins to name a few.

 

JAMES YORKSTON ANNOUNCES NEW ALBUM 'THE ROUTE TO THE HARMONIUM' FOR FEB 22ND 2019

James Yorkston | 11/21/18

Image: James Yorkston press shot

James Yorkston

Announces new album The Route to the Harmonium  for Feb 22nd 2019

Shares new song ‘My Mouth Ain’t No Bible’ – watch the video here

Upcoming live dates including Christmas solo shows + 2019 touring

James Yorkston will release his new album The Route to the Harmonium on Feb 22nd 2019; produced by Yorkston and David Wrench, it is James’ first solo record since 2014’s Cellardyke Recording and Wassailing Society (CRAWS) and follows the two collaborative albums he made as one third of Yorkston/Thorne/Khan as well as the release of his debut novel Three Craws in 2016.

Alongside the announcement, James has shared new song ‘My Mouth Ain’t No Bible’ - one of three thrilling spoken-word pieces on the record. It thrums insistently, military snares punching away, Yorkston’s delivery interplaying as two competing voices, one of himself, the other a lost musician friend, “a spare hand, a hired hand, a deck hand” who was unable to prevent self-destruction. 

 

Stream ‘My Mouth Ain’t No Bible’ here.

The album was almost entirely recorded by James himself, in the small Scottish fishing village of Cellardyke, where he lives. Yorkston’s studio is a ramshackle old loft space, originally used to repair fisherman’s nets, and now stuffed full the antique instruments James has collected throughout his life as a musician. Having created hours of recordings, James called up his old collaborator David Wrench - the mixer and producer who has worked with the likes of Caribou, Four Tet, Frank Ocean, FKA Twigs and David Byrne - and someone who has worked on James’ albums since 2003 – to help make sense of the sessions.

The Route to the Harmonium (or, ‘the search for peace’) is intensely personal; it’s the sound of home, of undisturbed craftmanship. Listen closely and you can imagine him putting it together. Overlaying vocal and guitar tracks, adding further with Dulcitones, harmoniums and autoharps, with nyckelharpa, the distinctive Swedish stringed instrument given to him by a friend. And friends and family, past and present swim all over his songs. Remembering them, and those you’ve shared life with, those who leave and those who remain, is the strongest thread running through these affecting, extraordinary songs. This is Yorkston’s world and could be nowhere else in music.

James adds: “I guess, as a musician and writer, I find myself reacting to what goes on around. So, this album is about life, the life that carries on around me. There’s family, place, and the being away from family that the life of a touring musician brings… But there’s also reference to friends departed – the hows, the whys – When a friend jumps ship it’s always a haymaker to the gut, you know? And this album is about them, but it’s more about us, us who are left behind...”

 

James Yorkston will head out next month for his traditional solo Christmas shows, with a full UK tour following in May, whilst in January, Yorkston/Thorne/Khan will take in a tour of Ireland.

Track listing:

  1. Your Beauty Could Not Save You
  2. The Irish Wars of Independence
  3. Like Bees to Foxglove
  4. Shallow
  5. The Blue of the Thistle
  6. My Mount Ain’t No Bible
  7. Solitary Islands All
  8. The Villages I Have Known My Entire Life
  9. Oh Me, Oh My
  10. Brittle
  11. Yorkston Athletic
  12. A Footnote to an Epitaph

The Route to the Harmonium is available to pre–order on Dom Mart-exclusive green vinyl (w/ signed poster), deluxe green vinyl (w/ poster), standard vinyl (w/ poster), CD and digitally. Pre-order: Dom Mart | Digital

 

Upcoming James Yorkston live shows

2018

Wed 19th December – The Lexington, London **Sold Out**

Thurs 20th December – Kitchen Garden Café, Birmingham Tickets

 

2019

1st April – Perth Theatre, Perth

2nd May - Summerhall, Edinburgh Tickets

3rd May - Òran Mór, Glasgow Tickets

4th May - Harbour Arts Centre, Irvine Tickets

5th May - Waiting Room, Eaglescliffe Tickets

6th May - Brudenell Social Club, Leeds Tickets

7th May - Islington Assembly Hall, London Tickets

8th May - Reading Arts Centre, Reading Tickets

9th May – Gallery, Milton Keynes Tickets

10th May – Dukes, Lancaster Tickets

11th May – Old Cinema Launderette, Durham Tickets

13th May – Louisiana, Bristol Tickets

14th May - The Moon, Cardiff Tickets

15th May – The King’s Arms, Manchester Tickets

16th May - Trades Hall, Hebden Bridge Tickets

24th May – Tolbooth, Stirling Tickets

 

Upcoming Tae Sup wi’ a Fifer shows - hosted and programmed by James Yorkston

Sat 15th December – Adam Smith Theatre, Kirkcaldy with Vashti Bunyan, Audiobooks, Michael Pedersen

 

Upcoming Yorkston/Thorne/Khan live shows

Fri 18th January 2019 – Cleere’s, Kilkenny

Sat 19th January 2019 – Dolan’s, Limerick

Tues 22nd January 2019 – The Workman’s Club, Dublin

Thurs 24th January – Out To Lunch Festival, Belfast

Fri 25th January 2019 – Coughlan’s, Cork

Sat 26th January 2019 – Phil Grimes, Waterford

Tickets

James Yorkston Online:

Website | Facebook | Twitter | Instagram | Podcast

 

RUSTIN MAN ANNOUNCES NEW ALBUM 'DRIFT CODE' FOR 1ST FEBRUARY 2019

Rustin Man | 11/14/18

Image: Rustin Man press shot

Rustin Man

Announces new album Drift Code for Feb 1st 2019

Watch video for new track ‘Vanishing Heart’ here



Rustin Man aka Paul Webb has announced his return. Webb, formerly the bass player in Talk Talk, will release his new album Drift Code on February 1st 2019 via Domino.

Webb has released one record under the moniker Rustin Man so far, the superb Out Of Season in 2002 - a collaboration with Beth Gibbons of Portishead. He has been working on the follow-up ever since, recording it in his home, a converted barn, in an Essex field three miles from the nearest village, an extraordinary building as much Old Curiosity Shop as modern living space. Creating that, and raising two daughters with his wife Sam, was happening alongside the making of Drift Code.

The long-awaited album has a warm, wise kind of euphoria to it, coupled with an acute sense of storytelling and surreality. Additionally, Rustin Man has shared the opening song, ‘Vanishing Heart’, from Drift Code.  

Stream ‘Vanishing Heart’ here.

Webb, who for the first time has written songs specifically for his own voice, turns out to be a gifted character actor, adopting various vocal roles across the songs. In ‘Vanishing Heart’, he is someone liberated from a loveless relationship: “At last I’ve found more warmth to feeling / It feels so good to be alive”.

 

As you might expect from someone of Webb’s pedigree, Drift Code is a deep, detailed work. The passage of time, the living space full of art, treasured objects and junk, the years spent listening to film music and ‘40s standards are all audible. But there’s a surprising spontaneity to it too. Though he did much of it alone, Webb’s recording technique made the music feel as if it has been recorded by a group of musicians playing in the same room. Raw demos written on a Dictaphone provided the basis for tracks begun with drums played by Webb’s former Talk Talk and O’rang colleague Lee Harris. Then, one instrument at a time, Webb created arrangements from multiple takes, each one recorded with six microphones positioned at different distances from the instrument. This way he could place each instrument in a different part of an imagined room. When he had finished all the guitars, he picked up a bass and went back to song number one. When he’d got all the bass lines, he moved on to keyboards. This approach means that Drift Code’s songs have matured, in a unique way.

 

“Through the necessity of recording over a long period of time, the album has a kind of unfixed or uprooted quality. As if the songs belong nowhere so hopefully belong everywhere” adds Webb. This echoes the haunted sound found on Out Of Season, which may become a Rustin Man trademark, the sound of a semi-opaque window onto a real or imagined past, of time trapped in amber. No surprise, considering there’s a decade and a half of its creator’s life inside these songs, time spent reaching out for something ungraspable.

 

“I called the album Drift Code as it’s an oxymoron, a code is something fixed, but our instinct is to wander, to drift. I like the idea that life is a puzzle that can’t be solved because the answer is always changing.”


Tracklisting:

1.         Vanishing Heart

2.         Judgement Train

3.         Brings Me Joy

4.         Our Tomorrows

5.         Euphonium Dream

6.         The World’s In Town

7.         Light The Light

8.         Martian Garden

9.         All Summer

Drift Code is available to pre–order on Dom Mart-exclusive heavyweight vinyl (w/ signed photo print), Indie-exclusive heavyweight vinyl (w/ photo print), heavyweight vinyl, CD and digitally. Pre-order: Dom Mart | Digital


Rustin Man Online:

Website | Facebook | Instagram


 

PANDA BEAR ANNOUNCES NEW ALBUM BUOYS

Panda Bear | 11/08/18

Image: Panda Bear Buoys launch shot

Noah Lennox's sixth solo album as Panda Bear is Buoys, due out February 8th, 2019 on Domino.

The first song to be released from Buoys is “Dolphin”: Lennox’s bright, sincere voice front and center, with miles of space surrounding it, a guitar and some textured samples fleshing out the dubby sparseness and undercurrent of speaker-limit-pushing sub-bass low-end.

Buoys was co-produced and co-mixed by collaborator Rusty Santos in Lennox’s adopted home of Lisbon, Portugal. Lennox and Santos last collaborated on the landmark Panda Bear album Person Pitch, which had its 10-year anniversary last year.

Animated by their ongoing interest in contemporary music production techniques, Lennox and Santos envisioned something that would “feel familiar to a young person’s ears.” However, Buoys retains a deep layer of experimentation coursing through the hyper-modern production – a hallmark of Panda Bear releases that will feel intimately familiar to fans of Lennox’s decade-plus body of work.

Alongside Santos, Buoys also features collaborators in Chilean DJ/vocalist Lizz and Portuguese musician Dino D'Santiago, both artists who came to Lennox via Santos’ recent trap and reggaeton production work; the former contributes arrangements throughout the album including “Dolphin,” and both lend their vocals to “Inner Monologue."

Buoys is the first Panda Bear release since 2018's vinyl-only EP A Day With the Homies, and the follow-up to 2015's kaleidoscopic full-length Panda Bear Meets the Grim Reaper. "The last three records felt like a chapter to me, and this feels like the beginning of something new," says Lennox whilst surveying how Buoys relates to the estimable Panda Bear catalogue. Indeed, the forthcoming Buoys is full of fresh ideas from one of modern music's most fascinating, innovative, and emotionally generous artists

Buoys will be available on CD, LP, and Limited Edition LP, and digitally on February 8, 2019. The CD and Limited Edition LP along with a limited edition T-shirt are available to pre-order via the Animal Collective webstore. Buoys artwork was created by Danny Perez, with photography by Fernanda Pereira, and with additional design by Rob Carmichael, SEEN.

Animal Collective Webstore | Digital


Buoys artwork by Danny Perez, photography by Fernanda Pereira, with additional design by Rob Carmichael, SEEN.

Buoys tracklisting

  1. Dolphin
  2. Cranked
  3. Token
  4. I Know I Don’t Know
  5. Master
  6. Buoys
  7. Inner Monologue
  8. Crescendo
  9. Home Free  

 

Panda Bear will be touring Australia in December, with more international touring to be announced soon. All Australian dates below are on sale now.

Dec 7 Meredith, Australia @ Meredith Music Festival

Dec 12 Sydney, Australia @ The Studio, Sydney Opera House

Dec 13 Melbourne, Australia @ Melbourne Recital Center

 

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