Image: Inji

Inji

CD $12.00 Deluxe LP $25.00

Inji, released on 29th June 2015, is the debut solo album by Sam Dust, AKA LA Priest. Across its ten audaciously imaginative tracks, Inji reasserts Eastgate as a ...View 'Inji'?

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Have You In My Wilderness

CD $12.00 Deluxe LP $20.00 LP $20

Have You In My Wilderness is Julia Holter’s most intimate album yet, a collection of radiant ballads. Her follow-up to 2013’s widely celebrated Loud City ...View 'Have You In My Wilderness'?

 
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ANIMAL COLLECTIVE ANNOUNCE 'LIVE AT 9:30'

Animal Collective | 09/01/15

Animal Collective have announced their first live album of a single show, Live at 9:30, taken from their June 12, 2013 show of a sold out three night run (June 10-12, 2013) at the historic Washington DC venue, 9:30. The release sees them play highlights such as “My Girls,” “What Would I Want? Sky,” “The Purple Bottle” from their decade plus career. Their previous live release, 2002’s Hollinndagain, was a compilation of live recordings from... Read more?

PANDA BEAR'S 'CROSSWORDS' EP; LISTEN TO "NO MANS LAND"

Panda Bear | 08/19/15

Today, we're happy to announce Panda Bear’s latest five track collection, Crosswords EP. It sees wind in his sails as we follow him on his next wide-eyed quantum leap from this year’s acclaimed album Panda Bear Meets the Grim Reaper with the escalator firmly jammed on UP.  

Crosswords EP is digitally out today, and physically on CD & 12” on November 13, 2015. All pre-orders from the Animal Collective Mart or Domino Mart come with an instant download of... Read more?

DAN DEACON

With the success of Dan Deacon’s 2007 album Spiderman of the Rings, came an opportunity for the electronic-music iconoclast to increase the breadth and depth of his entire musical project. Deacon moved from self-contained computer music to orchestral epics. His interactive live show, honed in DIY spaces, was taken to museums and concert halls. He frequently expanded his performances to include a horde of side musicians. Gliss Riffer, an entirely self-produced record of almost all electronic sounds, is a return to Deacon’s Spiderman of the Rings-era process. He calls it “easily the most fun [he’s] ever had making a record.”

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